This has turned up on YouTube
The image is quite small however, may be a copy from a distance.
I did some searching ahead of Animated Exeter next month. For several years now it has seemed strange to me that there is not more dialogue between the demoscene and the official curating academics etc. who know about Cibernetik 5.3. The show around A New Canvas was a highlight event. People who used computers for animation in the '60s are the sort of people who would be interested in YouTube at this time. That is my opinion. comments welcome.
So what is the benefit of keeping this stuff in cans of film somewhere deep in an archive? Nothing against archives of course. Film is good. A cinema has many advantages over a smalol space as part of a web browser. But the arrival of Cibernetik 5.3 on youtube is to be welcomed I think.
Over the next few weeks I hope to find out some more responses from people on the demoscene and students of computer science etc. when looking at the range of computer animation available. The source material is on YouTube so adding interviews could be interesting.
Tuesday, January 06, 2009
Thursday, December 18, 2008
"Simple Lies" suggests a model for documentary
This blog post may become a longer story somewhere else so is mostly in note form. I am not sure how to write about material from the last month or so. The blog allows me just to show what happened.
"The Simple Lies" is a format in which the script and the video can be downloaded and reworked by anyone connected. There may be a final version at 2 Short Nights next year but there will be other versions meanwhile.
Interview with David Salas explains more
Also comment on Ictal and galleries. I think he makes a good case for galleries as distinct from online or maybe as a blend.
Meanwhile a video from Cory Archangel's version of Bach has turned up on YouTube. I hope it stays there. The images came off the web and the sound is a sort of chiptune. This kind of content has a place online.
Lee Morgan spoke about the link to music video as way to think about how music files are distributed. The lighting was dreadful on these but the sound is ok.
Newspapers are now getting better at involving a readership in blogs, comments, sending in material, contributing to a story. There may be changes even in Exeter. The Express and Echo had a lead story about Youtube and a video of a plane crashing into a cow.
So in future there could be a form of documentary linking videos even if they are not available for editing together. I think avatars and virtual worlds could be useful as a place for discussion and interviews. Less chance of needing a release form for passers by. So far as I know the possibility of stills and video is just accepted. I have made several trips to Twinity Berlin, including the Bitroplis cinema and the C/O Gallery.
The C/O Gallery has all the exhibits in an actual show in the virtual world. Works well for photographs. There is still a reason to go to a gallery but this policy is different to some others.
The questions remain much the same. What is the effect of technology changes on how content is created, promoted, and distributed? Is a new approach viable?
As interviews these questions can be repeated and or answers found online.
Here is a video about Christine Baumgartnet including shots of actual images. I also found other images online. I like the scale of this one.
At Spacex there will be an exhibition by Laura Kikauka. There is already video from Berlin on Youtube. I wonder if we could link Exeter and Twinity?
The question about putting free content online remains "Is there a business model?". I hope to put this question again to Jo Gedrych. I now realise he failed to answer it the first time.
"The Simple Lies" is a format in which the script and the video can be downloaded and reworked by anyone connected. There may be a final version at 2 Short Nights next year but there will be other versions meanwhile.
Interview with David Salas explains more
Also comment on Ictal and galleries. I think he makes a good case for galleries as distinct from online or maybe as a blend.
Meanwhile a video from Cory Archangel's version of Bach has turned up on YouTube. I hope it stays there. The images came off the web and the sound is a sort of chiptune. This kind of content has a place online.
Lee Morgan spoke about the link to music video as way to think about how music files are distributed. The lighting was dreadful on these but the sound is ok.
Newspapers are now getting better at involving a readership in blogs, comments, sending in material, contributing to a story. There may be changes even in Exeter. The Express and Echo had a lead story about Youtube and a video of a plane crashing into a cow.
So in future there could be a form of documentary linking videos even if they are not available for editing together. I think avatars and virtual worlds could be useful as a place for discussion and interviews. Less chance of needing a release form for passers by. So far as I know the possibility of stills and video is just accepted. I have made several trips to Twinity Berlin, including the Bitroplis cinema and the C/O Gallery.
The C/O Gallery has all the exhibits in an actual show in the virtual world. Works well for photographs. There is still a reason to go to a gallery but this policy is different to some others.
The questions remain much the same. What is the effect of technology changes on how content is created, promoted, and distributed? Is a new approach viable?
As interviews these questions can be repeated and or answers found online.
Here is a video about Christine Baumgartnet including shots of actual images. I also found other images online. I like the scale of this one.
At Spacex there will be an exhibition by Laura Kikauka. There is already video from Berlin on Youtube. I wonder if we could link Exeter and Twinity?
The question about putting free content online remains "Is there a business model?". I hope to put this question again to Jo Gedrych. I now realise he failed to answer it the first time.
Saturday, November 29, 2008
Short film in Devon and Cornwall
I am at the Two Short Nights event at the Phoenix this weekend. There will probably be links to video later.
There is a lot more going on than I realised previously. For example another event fairly soon.
The view from here
more later
There is a lot more going on than I realised previously. For example another event fairly soon.
The view from here
more later
Wednesday, November 26, 2008
YouTube is getting better
I may be about to go off topic a bit and use this blog for any YouTube content roughly connected with Exeter.
OhmyNews have published my story about the BBC decision to cancel their project on local video. My impression is that UK print journalists have done to lot to lobby against this idea. I cannot see that the Express and Echo for example will now rush into video. I think Exeter TV has a role in any future situation. Or something like Exeter TV - some way to fund citizen journalism in some format. I use the term "citizen journalism" as connected with OhmyNews but most of the Exeter TV video on YouTube so far is about music performance.
My own business model is to concentrate on text, mostly as hosted by Blogger at almost no cost. More Google ads may appear where I can put them. Google / YouTube seems the best bet in the void without the BBC. Not that there cannot be a conversation with the Daily Mail etc.
For example, coming up soon the Two Short Nights Festival. Friday and Saturday at the Phoenix. Includes music video from Future Shorts. Could be animation or combined with other forms. Music is likely to be the basis for video but I also think that gallery art could be included. Flat images on a wall or page, that sort of thing. So far it is harder to get permission to film but this may change. Jo Gedrych is open to experiment with the images currently on display at Life Bytes on Sidwell Street. There could be other tests.
I will try to at least take some stills during the Two Short Nights. Link suggestions welcome.
OhmyNews have published my story about the BBC decision to cancel their project on local video. My impression is that UK print journalists have done to lot to lobby against this idea. I cannot see that the Express and Echo for example will now rush into video. I think Exeter TV has a role in any future situation. Or something like Exeter TV - some way to fund citizen journalism in some format. I use the term "citizen journalism" as connected with OhmyNews but most of the Exeter TV video on YouTube so far is about music performance.
My own business model is to concentrate on text, mostly as hosted by Blogger at almost no cost. More Google ads may appear where I can put them. Google / YouTube seems the best bet in the void without the BBC. Not that there cannot be a conversation with the Daily Mail etc.
For example, coming up soon the Two Short Nights Festival. Friday and Saturday at the Phoenix. Includes music video from Future Shorts. Could be animation or combined with other forms. Music is likely to be the basis for video but I also think that gallery art could be included. Flat images on a wall or page, that sort of thing. So far it is harder to get permission to film but this may change. Jo Gedrych is open to experiment with the images currently on display at Life Bytes on Sidwell Street. There could be other tests.
I will try to at least take some stills during the Two Short Nights. Link suggestions welcome.
Tuesday, November 04, 2008
Interview with Doctor Jo
Short interview in the back room at Life Bytes. see previous post. More later.
Life Bytes as a gallery
Life Bytes has recently been described as an internet access resource. It can't really be an internet cafe as there is no coffee. There is a cafe next door though.
Now in a new phase there is a gallery aspect. During the time of the Exeter Autumn Festival there will be a display of inkjet prints by Jo Gedrich. The images will also be on the screens on Thursday evening as well as some short animations featuring the same characters appearing in the stills. Some of the compositions may appear to be based on photographs but are all created on the computer.
Over the last couple of year I have made various attempts to persuade Jo to visit Spacex and other galleries. I wondered what he would make of the Tim Brennan exhibit on "The North" for example. Spacex displayed the images as if watercolours though they started on a mobile phone digital camera. My question is about the distribution of digital art. The approach of a limited number of instances in a gallery seems to me to be from a different technology. Actually I have three questions about the effect of digital technology. How is the creative process changing? How is the promotion of events changing, for example what is given away online? And is there a business model? I do realise that just giving stuff away may not work out too well.
There seem to be two parts to the Jo Gedrych business model. Some prints are cheap, under £20 and available in unlimited quantities. There is inkjet kit at LifeBytes and production is not a problem. Another series is priced over £100 however, and these are unique. The inkjet applies each ink in a different run and although the elements of the image could be used again, the Photoshop file is destroyed after each completed print. Apparently Jo believes this contributes to "artistic validity". This is something I hope to discuss with him and others over the next few weeks. (I am on holiday during the Autumn festival but I think something will continue.) It appears that the computer file is the original. It can be viewed on a screen with light behind it in RGB. The CMYK print is not the original. So how can destroying the file enhance the value of the print? My guess is that the change in the business model for galleries may have further to go.
The model for volume sales of prints is based on Vladimir Tretchikoff. Prints are still available from the website at reasonable prices. Tretchikoff never got much credit from the critics but the sales of prints were in large volumes. This could be a way forward for digital art.
Some of the images are of an adult nature, "intended to provoke". This one is suitable for a public blog. There was an option of a larger size but only if there had been some words across it to stop piracy. This blog may contain other samples later. If the original is a watercolour I do not think the value of the original would be reduced. All link suggestions welcome.
Now in a new phase there is a gallery aspect. During the time of the Exeter Autumn Festival there will be a display of inkjet prints by Jo Gedrich. The images will also be on the screens on Thursday evening as well as some short animations featuring the same characters appearing in the stills. Some of the compositions may appear to be based on photographs but are all created on the computer.
Over the last couple of year I have made various attempts to persuade Jo to visit Spacex and other galleries. I wondered what he would make of the Tim Brennan exhibit on "The North" for example. Spacex displayed the images as if watercolours though they started on a mobile phone digital camera. My question is about the distribution of digital art. The approach of a limited number of instances in a gallery seems to me to be from a different technology. Actually I have three questions about the effect of digital technology. How is the creative process changing? How is the promotion of events changing, for example what is given away online? And is there a business model? I do realise that just giving stuff away may not work out too well.
There seem to be two parts to the Jo Gedrych business model. Some prints are cheap, under £20 and available in unlimited quantities. There is inkjet kit at LifeBytes and production is not a problem. Another series is priced over £100 however, and these are unique. The inkjet applies each ink in a different run and although the elements of the image could be used again, the Photoshop file is destroyed after each completed print. Apparently Jo believes this contributes to "artistic validity". This is something I hope to discuss with him and others over the next few weeks. (I am on holiday during the Autumn festival but I think something will continue.) It appears that the computer file is the original. It can be viewed on a screen with light behind it in RGB. The CMYK print is not the original. So how can destroying the file enhance the value of the print? My guess is that the change in the business model for galleries may have further to go.
The model for volume sales of prints is based on Vladimir Tretchikoff. Prints are still available from the website at reasonable prices. Tretchikoff never got much credit from the critics but the sales of prints were in large volumes. This could be a way forward for digital art.
Some of the images are of an adult nature, "intended to provoke". This one is suitable for a public blog. There was an option of a larger size but only if there had been some words across it to stop piracy. This blog may contain other samples later. If the original is a watercolour I do not think the value of the original would be reduced. All link suggestions welcome.
Tuesday, September 30, 2008
OhmyNews, demoscene, future journalism
OhmyNews have published my story about Sundown 2008. The editors have included a Youtube video of the invite to Function 08. To make the space for this they have missed out my photograph of Budleigh beach so as this is my blog I will concentrate on this for a bit. So far I have managed to include a photo of the beach on each occasion.
From 2008, not accepted by the editors
Previously, 2007 link to story
2006, link to story
2005, link to story
So possibly there is not much point in repeating the photos of the beach or trying to do the same story each time. there are still some readers who know nothing about the demoscene so some things have to be explained.however there are now many videos on Youtube and other places so a new phase in reporting is called for.
There is a page for a possible TV series from Rougemont Global Broadcasting. It also works as a webpage with links and over time there is more video available anyway. My impression at the moment is that the demoscene is better reported on the Web than the earlier work shown by Greg Kurcevicz as part of a New Canvas. UK work from a similar timeframe is covered in books but there is not much by way of example online. So I think this could be a priority to create enough links for people to choose their own route.
Meanwhile, here is the first try at embed html for Demoscene TV. Their code is not accepted by Blogger so I had to use YouTube as a guide......
From 2008, not accepted by the editors
Previously, 2007 link to story
2006, link to story
2005, link to story
So possibly there is not much point in repeating the photos of the beach or trying to do the same story each time. there are still some readers who know nothing about the demoscene so some things have to be explained.however there are now many videos on Youtube and other places so a new phase in reporting is called for.
There is a page for a possible TV series from Rougemont Global Broadcasting. It also works as a webpage with links and over time there is more video available anyway. My impression at the moment is that the demoscene is better reported on the Web than the earlier work shown by Greg Kurcevicz as part of a New Canvas. UK work from a similar timeframe is covered in books but there is not much by way of example online. So I think this could be a priority to create enough links for people to choose their own route.
Meanwhile, here is the first try at embed html for Demoscene TV. Their code is not accepted by Blogger so I had to use YouTube as a guide......
Friday, September 12, 2008
Sundown this weekend in Budleigh
Sundown again in East Devon. I am still trying to make some links between the demoscene and the "New Canvas" era.
A major problem is that the early stuff is not much available. Curated as cans of film and stored away in a secure place. Quite right too but there is still a problem in attempting to show what it is. Although more is available on YouTube it is not clear how much official support there is for this. A recent search has found the Official Page for John Whitney senior, curated by Siggraph. So this must be legit. Not sure of the web access at Sundown so I have downloaded two Quicktime files at LifeBytes. They are Arabesque and Digital Harmony. I think both could work ok for a demoscene audience. More next week, don't expect a live blog.
The two MOV files are also stored away on VitalstatistIx in Life Bytes. Opposite the Odeon on sidwell Street, Exeter.
A major problem is that the early stuff is not much available. Curated as cans of film and stored away in a secure place. Quite right too but there is still a problem in attempting to show what it is. Although more is available on YouTube it is not clear how much official support there is for this. A recent search has found the Official Page for John Whitney senior, curated by Siggraph. So this must be legit. Not sure of the web access at Sundown so I have downloaded two Quicktime files at LifeBytes. They are Arabesque and Digital Harmony. I think both could work ok for a demoscene audience. More next week, don't expect a live blog.
The two MOV files are also stored away on VitalstatistIx in Life Bytes. Opposite the Odeon on sidwell Street, Exeter.
Thursday, August 14, 2008
Possibility of linking Spacex and YouTube
At Spacex till 20th September there is a Summer Screen. Not sure what to make of it yet. The gallery space could be seen as a series of small cinemas. The screens are big enough to be different to viewing the same content on YouTube. But for some reason I can't find much so far. There seems to be a lot more of comment and lectures, but this is an encouraging sign.
Animate Project has some content on the home page and details about Stop Watch....
Tank TV has some work online but on YouTube is interviews, such as this with Hans Ulrich Obrist.
Picture This has info on Small Wonders but not many YouTube links I can find. Lady Lucy is an alias, complete with Myspace page linking to video.
Commotion (You Made Me Love You) is curated by Claire Doherty. University College Falmouth has loaded most of one of her lectures in several sections. I will come back to this later, may help to make more sense of the actual Spacex. The actual title of what is being shown there is not that easy to predict so I think previous browsing could be helpful.
Animate Project has some content on the home page and details about Stop Watch....
Tank TV has some work online but on YouTube is interviews, such as this with Hans Ulrich Obrist.
Picture This has info on Small Wonders but not many YouTube links I can find. Lady Lucy is an alias, complete with Myspace page linking to video.
Commotion (You Made Me Love You) is curated by Claire Doherty. University College Falmouth has loaded most of one of her lectures in several sections. I will come back to this later, may help to make more sense of the actual Spacex. The actual title of what is being shown there is not that easy to predict so I think previous browsing could be helpful.
Monday, July 07, 2008
Trying out Acrobat Presenter
Using Share to host a 7 meg PDF. I think this should work. Acrobat 9 extended has a plugin for Microsoft Powerpoint that can include video. There is something similar now in Google. Not sure if I have blogged about this laready. the weekend was confusing but the week ahead will feature more tests.
The potential is interesting. I have a collection of clips that need explanation. Maybe one day I will make sense to an editor.
Direct link
Embedded below
The potential is interesting. I have a collection of clips that need explanation. Maybe one day I will make sense to an editor.
Direct link
Embedded below
Sunday, July 06, 2008
Google Docs links presentation and video
The title for this post assumes things will work ok. I am trying out the video in presentations. If this is ok I will do more as the combination of explanation in text with short clips could be useful. So the direct link is here.
And it should embed below, and play the video.
And it should embed below, and play the video.
Sunday, April 27, 2008
World TV allows many channels of video streaming
World TV has made possible a sequence of video from many sources on many sequences. So far I have just looked at YouTube, mostly from this blog. The first sequence is at
http://www.worldtv.com/animx
I have concentrated on showing both demoscene and early computer animation. I think there is a comparison but people used to one group do not often try the other as far as I can make it out. Later there is some Second Life and documentary from Devon.
http://www.worldtv.com/animx
I have concentrated on showing both demoscene and early computer animation. I think there is a comparison but people used to one group do not often try the other as far as I can make it out. Later there is some Second Life and documentary from Devon.
Wednesday, April 23, 2008
Blender on TV, Amsterdam with English subtitles
This is interesting
More online within a month
It looks like the sort of animation that could turn up in a cinema, not some demoscene arty stuff for a niche. More on "arty" when you watch the link. But it is open source, so more connections are possible.
More online within a month
It looks like the sort of animation that could turn up in a cinema, not some demoscene arty stuff for a niche. More on "arty" when you watch the link. But it is open source, so more connections are possible.
Friday, April 11, 2008
Photos from Black Box ; Cory Arcangel event
These pictures were taken during Animated Exeter when a film by Cory Arcangel was showing at the Black Box in the Phoenix Media Centre. It took a while to get permission to display them and then I was uncertain what to say about them. The previous set from the launch of the Spacex show was ok but then I asked permission to video the lecture. It turns out that permission to video is almost impossible to obtain. The web seems to be in two modes. Casually there is a mass of digital photography that just happens. Trying to work more officially is very complicated.
So my next phase is to move to Second Life and Photoshop. Second Life requires bandwidth. Exeter City Council have a block on Flash for bandwidth reasons so SL is also not for everyone. Photos mixing SL characters or backgrounds then reduced in file size could be an approach to link things. I have done some avatars that could be based in or visit Exeter at different times. Also some backgrounds from the Black Box. More on this later. There is a PDF guide to the avatars on Scribd. All Creative Commons on Flickr so feel free to use them but please send a link.
Wednesday, April 09, 2008
Adobe shifts design attention to video
Adobe have announced a Media Player for video.
There is some animation already. The background seems to me to be a change of direction towards Flash and away from Postscript and PDF, now rarely mentioned. The 'platform' unit is now merged with mobile so 'platform' may not have much space for PDF.
Meanwhile in Exeter there is still no Flash on the council website, apparently because Flash is not supported on their own browsers because of bandwidth constraints.
Round about now there is a bit of a crunch in what time travel can cope with. The web has gone from text to video and animation is part of this.
There is some animation already. The background seems to me to be a change of direction towards Flash and away from Postscript and PDF, now rarely mentioned. The 'platform' unit is now merged with mobile so 'platform' may not have much space for PDF.
Meanwhile in Exeter there is still no Flash on the council website, apparently because Flash is not supported on their own browsers because of bandwidth constraints.
Round about now there is a bit of a crunch in what time travel can cope with. The web has gone from text to video and animation is part of this.
Thursday, March 27, 2008
More on Nvision
If you download a magazine and the dlls fall in the right place you can read an interview with Temis Nunez who explains why Nvidia is supporting a demoscene party as part of an event about "visual computing".
off topic
maybe some other company in San Jose could suggest a magazine format that allows text to be copied out but maybe I have just lost track of what a magazine design should concentrate on
back on topic
It turns out that Temis Nunez is a genuine fan who collected "cracktros" for Apple II and C64. Also Jensen Huang has said of Nvidia "we are at the intersection of art and technology" so the demoscene is of interest to show off what a graphics chip can do.
Temis mentions Debris, already on this blog and also Andromeda's Lifeforce.
off topic
maybe some other company in San Jose could suggest a magazine format that allows text to be copied out but maybe I have just lost track of what a magazine design should concentrate on
back on topic
It turns out that Temis Nunez is a genuine fan who collected "cracktros" for Apple II and C64. Also Jensen Huang has said of Nvidia "we are at the intersection of art and technology" so the demoscene is of interest to show off what a graphics chip can do.
Temis mentions Debris, already on this blog and also Andromeda's Lifeforce.
Wednesday, March 26, 2008
Breakpoint promotes demoscene in San Jose
Promotes NVscene in San Jose in August. Not sure how strong the demoscene is in the USA but time will tell.
Wednesday, March 05, 2008
SUN to charge $1 per CPU hour for Blender animation
SUN are moving further into software as a service and open source. Blender is one of the services available. Current charge is $1 per CPU hour. This sounds cheap but may result in lots of new projects. Somehow it is always tempting to use the full chance on offer.
Blender is one of the projects featured at the 2008 meeting on Libre Graphics. More on this later.
Blender is one of the projects featured at the 2008 meeting on Libre Graphics. More on this later.
Tuesday, March 04, 2008
Repeating the week of Animated Exeter
Time travel seems easier if the space stays much the same. So I am trying to repeat the week ending 23rd Feb with another attempt at creating links of various kinds. Things could heve been even better with some slight changes. So imagining next year is the same as trying to change memory.
The YouTube connection is difficult partly because Exeter City Council have no support for Flash and so they do not host pages with Flash. It is therefore quite difficult to explain YouTube to people who work for Exeter City Council. Trying to get permission to video something depends partly on showing previous work which in this case is not possible. So Exeter TV might have recorded more including interviews had there been a release policy.
Try to imagine a shift so that there is support for Flash and YouTube is accepted as part of a festival / culture event. Someone who has no wish to be identified in this blog observed that this development has been a small step for manking but would be a giant leap for Exeter City Council.
Following that it would be easier to connect Second Life and actual events. There were two interesting events. See previous posts for more on Viral Duets in Exeter and D.R.O.I.D. in Bristol.
In theory the D.R.O.I.D. content could have been part of the Beatz and Bobz closing party at the Phoenix in Exeter. I have no information yet that this happened. But something like it may later. Sound and vision can be live or from the archive. It seems that the island of Prados Azules is set up for the summer at least so more could follow. And the dance steps goodies bag is in Diecicento.
Access to Second Life is the next frontier for organisations, even beyond Flash. A journalist from the Financial Times recently explained that they had to go home to write a story about business schools in Second Life as the firewall prevented installation at work.
As well as trying to repeat events through time travel i am also thinking about forms of fiction, so repeat the script outline from a previous post.
Recent video of seats in Exeter. When the light is reliable there could be interviews if there was permission. What sort of release form would be required? By the way, this test is done on a disgo, GBP24 so the future could be much better if Exeter TV had more resources.
The YouTube connection is difficult partly because Exeter City Council have no support for Flash and so they do not host pages with Flash. It is therefore quite difficult to explain YouTube to people who work for Exeter City Council. Trying to get permission to video something depends partly on showing previous work which in this case is not possible. So Exeter TV might have recorded more including interviews had there been a release policy.
Try to imagine a shift so that there is support for Flash and YouTube is accepted as part of a festival / culture event. Someone who has no wish to be identified in this blog observed that this development has been a small step for manking but would be a giant leap for Exeter City Council.
Following that it would be easier to connect Second Life and actual events. There were two interesting events. See previous posts for more on Viral Duets in Exeter and D.R.O.I.D. in Bristol.
In theory the D.R.O.I.D. content could have been part of the Beatz and Bobz closing party at the Phoenix in Exeter. I have no information yet that this happened. But something like it may later. Sound and vision can be live or from the archive. It seems that the island of Prados Azules is set up for the summer at least so more could follow. And the dance steps goodies bag is in Diecicento.
Access to Second Life is the next frontier for organisations, even beyond Flash. A journalist from the Financial Times recently explained that they had to go home to write a story about business schools in Second Life as the firewall prevented installation at work.
As well as trying to repeat events through time travel i am also thinking about forms of fiction, so repeat the script outline from a previous post.
So assume VJs B1 and B2 who arrange an event without web access but hear about another one a week later with web streaming. They discuss various issues arising and are not entirely convinced. Not that they are luddites or anything but there has to be scope for acceptance of some form of development during the story. One concern is that animated dancing online may not work too well. The next week B1 and B2 are somewhere else where they could stream something but are not sure. Fortunately Kola Spellcaster turns up with a set of code that allows anyone to dance really well. The only problem is that she has put a timeout into the code so it will all fall over unless her Arts Council grant for next year is confirmed before midnight. This story ends at about 11.47 but there may be another one. If you feel any characters are based on yourself you may request changes or write your own version. Creative commons : attribution requested. I may claim other forms of copyright if I write something longer or for a later production.
Recent video of seats in Exeter. When the light is reliable there could be interviews if there was permission. What sort of release form would be required? By the way, this test is done on a disgo, GBP24 so the future could be much better if Exeter TV had more resources.
Sunday, March 02, 2008
Some people prefer lounge music
Just in case the Luke Vibert style of music is not what you would choose, here is another video from Second Life which may make more sense for people who like the Voodoo Lounge for example.
Subscribe to:
Posts (Atom)